Fall 2018 | CoDesign Collaborative https://codesigncollaborative.org A Creative Lens for Change Thu, 12 Mar 2020 15:40:12 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.1 https://codesigncollaborative.org/wp-content/uploads/2024/08/cropped-Website-Favicon-32x32.png Fall 2018 | CoDesign Collaborative https://codesigncollaborative.org 32 32 Mothership: Healthcare for New Moms https://codesigncollaborative.org/issue/mothership-healthcare-for-new-moms/ Thu, 16 Jan 2020 07:09:09 +0000 http://designmuseum.wpengine.com/?post_type=issue&p=14593 The post Mothership: Healthcare for New Moms appeared first on CoDesign Collaborative.

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Create Local, Launch Global https://codesigncollaborative.org/create-local-launch-global/ Mon, 03 Sep 2018 21:37:52 +0000 http://designmuseum.wpengine.com/?p=15353 The post Create Local, Launch Global appeared first on CoDesign Collaborative.

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Create Local, Launch Global

Onehundred is Ushering the Next Industrial Revolution

Long before industrialization and a global economy, nearly every product someone used would have been made by a local craftsman from locally-sourced materials. Can we learn from that model and make it work again today?

By Dave Laituri

I think about how far our products will travel and the satisfaction that will unfold when the package arrives at its new home. I never imagined I’d feel such joy mailing off a box, in which the contents are locally made, with a label designating the destination of a remote island, a small farm, or a mountain town above the treeline.

At Onehundred, we design and manufacture every single product, from benches to bird feeders, within 100 miles of Boston, launching each with our enthusiastic, international crowdfunding community.

Humble Beginnings

Every town in New England seems to have a community trade area – a social place, sometimes near the town recycling center where neighbors put the things they don’t want anymore to be picked up by those who do. This old rocking chair was put up for adoption in the trade area of our town’s recycling center a few years ago. Like most things there, the chair was ugly and covered in dings and chipped paint from multiple former owners; it was a classic trade area candidate. 

Once the chair was stripped down to bare wood, though, it told an interesting story. It was lopsided and asymmetrical from birth, hand-carved using very few tools – none of which were powered. It was likely produced in the early 1800s, made by a moderately skilled craftsman for a nearby customer and built from locally-grown timber. Unlike a mass-produced chair today, it was not shipped from a distant factory in another country to a local store, found in a catalog or online, or liquidated at an end of season over-stock sale. The user knew the person who made it, they met face to face, discussed what should be built and probably shook hands upon delivery weeks later. The supply chain that brought it into existence was simple, direct and human.

(Re)discovering our Neighborhood

With my experience designing and manufacturing hundreds of products overseas for startups and Fortune 500 companies alike, I had some questions after thinking about the story behind this 1800s rocking chair: can we still make things here in our New England neighborhood? Could we replicate this process in the twenty-first century?

Those were the big questions back in 2012 when we founded Onehundred. We wanted to challenge ourselves to see how much we could make locally and to test selling those local products on a global market.

Anyone who has spent time in New England is at least peripherally aware of “Yankee Ingenuity” – that 200-year-old idea of self-reliance and making do with what you have on hand. It’s about improvisational design, to understand what you are able to make before you try to make it and being resourceful along the way. Onehundred’s mission is an update of that idea: Yankee Ingenuity 2.0. Our name, Onehundred, stands for the 100-mile day trip radius around our Saxonville, MA studio that dictates what factories and shops we work with to produce our products. 

Onehundred’s process is simple: find talented local shops and factories, design products that fit their capabilities, and bring these products to the global market. Our global market is located on Kickstarter, an online crowdfunding platform. On Kickstarter, to receive the crowdsourced funds raised, you have to reach the stated goal. If we don’t reach our goal, we don’t build the product.

In the first five years of this experiment, we created 110 products with 40 local factories and shipped them to over 80 countries worldwide. 99% of our revenue stays within our 100-mile boundary. 96% of what we manufacture is shipped out to the world. We have the smallest possible ecosystem to work with – only the product creator (us), the product producer (our chosen shop), and the product user is at the table. Like the 1800s rocking chair, products are only manufactured when desired by our customers. The unique combination of our local manufacturing mission and our global crowdfunding backer community drives our production decisions.

Being centered in New England, the birthplace of the American Industrial Revolution and a center of the tech industry, there is a unique and historical mix of talent in our neighborhood to work with; 100+-year-old, family-run factories can be found alongside cutting-edge technology shops with the latest computer-controlled machines. 

Every shop we’ve worked with, new or old, has an interesting story of their own, but it’s the ones that have been around the longest who still use historic machinery and processes that tend to stand out. 

Take the Pepperell Braiding Company in Pepperell, MA, for instance. Founded in 1917, they started out producing candle wicks and shoelaces for the thriving regional shoe industry. Originally powered by the flow of the adjacent Nashua River, the factory still produces braided nylon paracord for the craft market on converted belt-driven braiding machines from the 1890s. A ballet of spinning spools, they are mesmerizing to watch. Early machines like this were both simple and complex at the same time. What could we do with braided string? It took about three months before we had an answer.

Flat, fold, feed…

A summer breakfast conversation with my then 14-year-old son and co-founder, Calvin, turned into an idea for a line of bird feeders. He was very interested in origami at the time, and we had dozens of paper cranes all over the house. The idea: create a bird feeder that arrives flat like a greeting card, but easily folds into shape. We made a quick mock-up on our kitchen table out of the cardboard from the back of a notebook, a dowel, and a borrowed bootlace. Then we filled it with seeds and hung it outside for a test.

Within ten minutes, we learned that birds jump when they take off, flipping the prototype and sending seeds everywhere. With a bit of re-working, we were able to stabilize the design for a re-test. This time the seeds stayed put and we had found that purpose for string we were looking for! A week later we had bendable aluminum prototypes. The Kickstarter campaign that followed was a success, and we shipped them out to our Kickstarter backers soon after. The entire process took five months from kitchen table to worldwide shipping. 

What’s next?

Spending time working with local shops has been very rewarding on its own, but it’s also brought up some interesting new thoughts and insights along the way. We’ve learned a lot about the subtleties of local production – how it stacks up against manufacturing in China and what its future potential holds. For instance, take the locavore movement – choosing a diet based on locally-grown foods. Could there be a parallel local-made movement someday? While we’ve been pleasantly surprised by how many everyday objects could potentially be produced nearby, there’s not enough manufacturing diversity in U.S. neighborhoods to make everything. But, a much healthier blend of local and imported goods is certainly possible.

One of the more surprising discoveries is that our carbon footprint is considerably lower for each of our products versus producing them in China – about 62% lower on Tuls and about 80% lower for Blox, two of our other products. Since we’re down the street from our entire supply chain, carbon created by shipping raw materials and finished parts is almost non-existent. 

To produce something made of walnut in China, the milled lumber has to be shipped from where it grows in North America to a factory in China where it’s turned into a product. The product is then shipped back to the U.S., resulting in at least a 15,000-mile round trip. That’s a lot of embedded train, truck, and container ship-generated carbon. By working with local lumber suppliers, we’re able to select the ones who source their walnut as close as possible to our shop.

Taking the Onehundred idea one step further, we imagine one day expanding the company globally – a Onehundred LONDON, Onehundred TOKYO, Onehundred CAPE TOWN, and other cities that have unique neighborhood manufacturing qualities of their own. We’ve also imagined using the Onehundred model to help in community revitalization, combining local manufacturing capabilities, entrepreneurship, and design with local and global demand to change a neighborhood’s “balance of trade,” importing much-needed revenue while exporting products, creating new jobs, and energizing new businesses along the way.

As our 1800s chair can attest, local manufacturing is certainly not a new idea, but nonetheless, an important system to revisit. We still have this chair at our house. Whenever we see how much less expensive it would be to manufacture a new product beyond our 100- mile radius, the chair reminds us of the value and the rich stories of local production.

From Design Museum Magazine Issue 009

Make Local

Howard Precision

The decedent shop of Howard Clock was one of the first that we met on our journey. Located near our studio in the Saxonville Mills, they were founded in 1845 and produced watches and clocks of all sizes, eventually becoming a precision CNC lathe shop in the 1950s. When we met them in 2016, it was the sounds and smells of their shop that hooked us; we had to come up with a project together. Our stainless steel whiskey stones, Pucs, were the result.

Henry Perkins Company

This iron foundry in West Bridgewater, MA, is another personal favorite. Dating back to 1849, they have been continuously run by five generations, originally producing cotton gin parts and grey iron piano plates. Iron casting dates back to the 5th century BC, and while furnace technology for melting iron has evolved considerably, it’s still very similar. Two months after a tour of the casting floor and their pattern shop, we came up with a simple product called Bagl – a paperweight for organizing charging cables.

R. Murphy Knives

Founded in 1850 in Ayer, MA, R. Murphy originally produced surgical and dental tools, but currently manufacture a wide range of high carbon steel knives for home, commercial, and industrial applications – leather knives for the shoe industry and oyster knives are their specialties. We hadn’t thought about designing a knife, but after meeting, we were determined to add one to our line. Fave is the result – a line of contemporary utility knives with high-carbon steel blades.

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Out on a Limb https://codesigncollaborative.org/out-on-a-limb/ Sat, 01 Sep 2018 15:23:12 +0000 http://designmuseum.wpengine.com/?p=15280 The post Out on a Limb appeared first on CoDesign Collaborative.

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Out on a Limb

The Tree Canopy Walk at the Morris Arboretum

 

For the Morris Arboretum, we took our design cues from the forest itself: oriole nests, pine cones, and tree architecture. We gained inspiration from human structures, too, such as mining poles, fire towers, and high-voltage transmission towers.

Images courtesy of Metcalfe

By Aaron Goldblatt, Metcalfe

The journey to design a walk through the trees began when a supporter of the Morris Arboretum at the University of Pennsylvania presented a problem to Paul Meyer, the Arboretum’s Executive Director. Her 12-year-old granddaughter, like most kids that age, would rather do almost anything other than visit an arboretum. She would rather hang out at a friend’s house than walk through plants and trees. This got Paul thinking – how could the Arboretum become something teenagers might actually want to visit? What can pry kids away from screens and other distractions to a place that creates genuine connections between people and nature?

Previously, Paul had seen a prototype of a tree canopy walkway at Kew Gardens in London. He immediately recognized how the surprising, elevated perspective it offered – one typically reserved for squirrels or arborists – had a transformational impact on the experience of the forest. Our experienced design team at Metcalfe joined the project just as the notion of bringing a canopy walk to Philadelphia had taken hold.

The mission of the Morris Arboretum is to promote an understanding of the relationship between plants, people, and place. By shifting the equation – putting people in a new and somewhat scary place high in the trees – we intended for them to look at the plants differently and notice things they had not before. The arboretum has been here since 1887 and was once barren with poor soil, but over the years became a flourishing place to learn, to relax, and now to play. 

Collectively and consciously, to give visitors an opportunity to experience the trees in ways they could never do otherwise, we set a course to play. We thought combining play with education would improve attendance to the arboretum and make the experience of visiting all about seeing the world from a new vantage point. We created a big idea for the project that would guide our thinking throughout the course of the design process: We need trees and the urban forest needs our care. People will love trees (and will care for them) if they can freely play among them.

For a playscape to work there is a critical balance to strike between familiar and novel. There must be enough familiarity with the players to give them the confidence to enter and engage with the environment and enough novelty to draw them in and keep them interested. For the tree canopy walk and the Morris, the most familiar element is the trees. Everyone has an idea of what a tree is. It has leaves. It’s tall. Birds and other animals live among its branches. But few of us have the pleasure of seeing a tree from the vantage point of the canopy. We’ve not had the opportunity to view the ground the way a bird can when perched up high. That’s the novelty that proves irresistible to visitors and engages them in the experience.

Application and Experience

For the Morris Arboretum, we took our design cues from the forest itself: oriole nests, pine cones, and tree architecture. We gained inspiration from human structures, too, such as mining poles, fire towers, and high-voltage transmission towers. 

We also looked closely at traditional Chinese garden design. We employed zigzagging wooden boardwalk paths, about 450 feet in length with a series of “moon gates,” round openings that mark points of entry and transition. This unique path delivers a generous experience over a small journey. 

The single-entry path ends at a beautiful tea house then divides into two paths: one leading to a colossal bird’s nest, with climbable robin’s eggs inside, and the other to a pair of large horizontal, hammock-like nets, called the Squirrel Scramble, that embraces several specimen trees just below their canopies.

The list of design rules we adopted included normal project demands like schedule and budget constraints. The project needed to be as pragmatic as it was ambitious. But an arboretum is also a museum of trees, and we could not harm the collection. The foundation system we designed ensured that no significant damage would occur to the roots of the trees immediately surrounding the support structure of the canopy walk. Steel, rather than wood, was selected as the primary structural material in order to differentiate between the walkway and the trees and to reduce its interference with the surrounding area. The structure could not touch the trees and had to give them wide berth to allow them to sway uninhibited. 

 What we did not plan for was the intense social experience of the people seated along the edges of the nets, dangling their feet into the rope lattice. Strangers talk to each other about what they see. Parents laugh as their children roll around on the suspended grid. Teenagers let go and yell as they tumble around freely. The experience generates conversation, smiles, and outright laughter.

Measuring Success

I am convinced that the heady combination of perceived risk, genuine novelty, and the beauty of the surrounding forest delivered the gold standard in design for social spaces. Here is a place of open-ended play with very little instructions for visitors on how to interact. It has been a huge success, in revenue, attendance, and publicity. 

In 2010 the American Alliance of Museums recognized the Morris Arboretum with the Excellence in Exhibitions Award. 

The success of the Morris Arboretum canopy walk was evident in the standard metrics that public institutions use to chart their development: in the decade since the project opened, they have remained at historic attendance levels. For most of us involved, it’s more than the numbers. The Morris’s staff holds their meetings in the net – it’s even making their workdays more creative and playful. The stories that we hear are how we can truly understand the project’s impact.

I visit the arboretum often, sometimes with groups of family and friends and sometimes alone, just to check in. Without prompting and without fail, sounds of joy accompany every visit as people make new discoveries about the trees and themselves.

A two-year-old spills from the walkway down onto the net, laughing, rolling, then becoming serious, peering through the ropes down to the ground 50 feet below. His father stands in awe at the edge, wondering how he’ll muster the courage to join his son.

A seven-year-old boy looks up at me and says, “I’ve waited my whole life for this!” He then launches himself out into the net.

From Design Museum Magazine Issue 009

What is Play?

As an exhibit designer, I have spent the better part of 30 years looking closely at play; what causes it, what stops it, and what sustains it. I’m no closer to a definition of it than academic scholars who take a formalized approach to its study. But there are some characteristics of this fundamental behavior that are found consistently across all age groups, developmental levels, physical abilities, even across many animal species who apparently play. These include:

Rules

All play requires rules. Players need to agree to the boundaries within which the play can occur. Those rules can change, and often do, but if the players don’t agree with the changes, the play ends. In the case of the Morris Arboretum, as in all of our projects, those rules include safety. It’s understood the players will not be harmed by the environment, even if there is a perception of risk, which brings me to the second characteristic…

Risk

There must be some element of risk in the play or there is no room to genuinely play. Everyone has a different level of acceptable risk and every play opportunity presents different kinds of risk. Rock climbers looking up at El Capitan in Yosemite assess their risk based on numerous factors, including their experience, available equipment, and weather. Kids process risk too and part of playing is learning to assess and make decisions based on risk.

Pleasure

If there is no promise of pleasure, of having fun, and feeling joy, there can be no play. 

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Mothership https://codesigncollaborative.org/mothership/ Sat, 01 Sep 2018 15:04:39 +0000 http://designmuseum.wpengine.com/?p=15232 The post Mothership appeared first on CoDesign Collaborative.

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Mothership

Embedding Empathy into Health Culture

 

What happens when the design process is embedded into the healthcare system for parents? Mothership was created to find out.

Images courtesy of Liz Lyszyk and Mothership

By Martelle Esposito, MS, MPH

In Texas, Christine attended her follow-up appointment with the pediatrician after the birth of her first son. She recalls that “they made us wait for over three hours after four sleepless days of breastfeeding challenges in the hospital. The doctor came in and decided to give the baby a bottle, saying something about people wanting to feed babies with spoons and droppers like ‘damn goats’ and that there’s nothing wrong with a bottle. I remember just sitting there with tears rolling down my eyes, feeling like a huge failure.” 

In New York, Jenny did not anticipate that her team of health professionals would brush aside her feelings and wishes during and after she gave birth. “I labored at home for 24 hours before going to the hospital,” she says.  “That’s when everything went wrong. I knew what was going on in my body, but the doctors wouldn’t listen to me. Afterward, I dreaded the visits with the lactation consultant because she made me use techniques that I found painful, even when I voiced my concerns.” 

In California, Geetika was pregnant with twins. A vegetarian, she asked her doctor how she might meet her unique nutritional needs. “The doctor gave me some brochures for mothers pregnant with multiples,” she says, “but when I looked at the nutrition advice, it suggested eating additional meat.” 

And in Washington, D.C., Sarah had an uncomfortable interaction: “A lactation consultant told me she didn’t approve of ‘those,’ pointing at my daughter’s pacifier. This was really annoying because both my babies were much happier with them.” 

While not reflective of every parent’s experiences, stories like these are far too common. I heard many such stories during my five years working in the maternal and child health industry. I focused on public health programs and policies targeting pregnancy and early childhood nutrition, breastfeeding, and access to health care services. There had to be a better way, one where health care experiences were more positive, personalized, empathetic, and empowering – especially during the vulnerable and transformative time of becoming a parent. 

Seeing the need for change, I was inspired to start a nonprofit, Mothership. With guidance from our board of directors (a group of seven design and public health experts), I use design to develop a better healthcare experience for parents. Mothership is working to change our healthcare culture by training professionals who work with parents to see empathy as foundational to their work. That way they are better equipped to build connections and empower their patients. 

Empathy Research Approach

Merging design thinking with methods of public health problem-solving, I established a hybrid approach to uncover more information about parents’ negative experiences with healthcare and develop new solutions. Interestingly, many public health and design thinking tools are similar or complementary, so using tools from both fields provides an opportunity to enhance research and development outcomes. 

Both in public health and design thinking, the first step is empathy through understanding the key people involved in the issue and how they are affected by it. This involves examining the gap between what a patient population needs and what it currently has access to. In public health, we also study quantitative data on health outcomes and risk factors. We scour censuses, health records, other population-level reports, and scientific journals. Sometimes we also collect qualitative data from surveys and interviews. For Mothership, we researched and studied data on millennial parents, millennials and healthcare, parents and healthcare, and healthcare trends. 

We also interviewed parents about their prenatal, birth, and postpartum experiences, 

with an emphasis on nutrition and breastfeeding. We also interviewed health service providers to learn about their goals regarding nutrition and breastfeeding when working with parents.

Over the course of the entire research and development process, we conducted individual interviews and group sessions with approximately 50 parents and healthcare providers. We also observed patient-provider interactions. Finally, we looked at the landscape of organizations, programs, and resources currently available to families.

Here’s what we learned about parent experiences with health care prenatally, during birth, postpartum, and in early childhood: Parents have a range of inconsistent experiences, and many families are not getting the support they want. Millennial parents want to make their own decisions. They consider their health service providers one of many sources of information.

With many parents turning to family, friends, the internet, and social media for support, they have difficulty finding credible and relevant information. People have many different opinions about parenting. Parents sometimes feel they will be judged regardless of their choices. Parents trust advice from other parent friends, sometimes more than advice from health professionals, because they’ve “been there.” Parents have a desire to be seen and heard, and they want their health care professionals to view their well-being as a priority in line with their baby’s. Many new mothers feel isolated during their child’s first few months. Because of this, they actively seek the company of other mothers, both online and in-person, and recommend other mothers do the same.

Here’s what we learned about health service provider experiences working with parents: Many healthcare providers say that they are constrained by time and pressured to move quickly from patient to patient. They have so much to do in a day that they struggle to find time for relationship-building. One provider even noted that she was recently marked down on her performance evaluation for spending too much time with each patient. Additionally, with so much information to collect and record, paperwork and recordkeeping often become a burden. With compensation for health systems tied to patient satisfaction and outcomes, it takes a higher priority than in the past. Healthcare providers are motivated to provide good care to their patients and want them to achieve their health goals. Even if doctors and nurses are motivated to provide good care, they often do not have the time or money for a complete overhaul. They are interested in opportunities that they can easily implement. Some are motivated to provide personalized, empathetic, and empowering care, but it can be difficult garnering support from their entire group or practice to make changes. They are interested in making changes on their own.

Some notes about the existing landscape: Many organizations exist in the maternal and child health industry to improve health outcomes. In fact, some clinics are already doing great work with empathy and empowerment. Interest in patient-centered care is trending.

Towards a Solution

We determined that Mothership could add value to existing work by solving the disconnect between the current health system and what millennial parents actually want: a parent-centered approach grounded in empathy. 

One story from a mother we interviewed was particularly compelling as we began to think about how t0 address this challenge. “My best mom-friend is also a nurse,” Betsy said. “She understands me, doesn’t judge, and also has medical knowledge.” We thought, wouldn’t it be wonderful if everyone had such a friend? We began to start thinking about potential solutions from this lens: bridging the gap between health expert and friend. 

When designing a new healthcare program, it is important to engage your target community during the development process. We engaged our target community through the co-creation ideation method – a process of creating right alongside stakeholders to ensure the outcomes both meet their needs and are usable. The Mothership team brainstormed and created accompanying visuals as starting points for discussion. Then we began a series of virtual sessions with parents and healthcare professionals. One of the most promising ideas to emerge was a training and certification program for health service providers on empathy and empowerment practices.

Finishing Touches

In the final stage of public health program research and development, we define program details with specific measurable objectives and test it out in a pilot. This stage is analogous to the prototyping, testing, and iterating phase of the design process. The difference is that a public health pilot program often takes years to test, collect data, and report on.

To streamline the process, we set up a “rough” pilot program – an imperfect prototype – so that we could test and iterate the curriculum quickly. While the short turnover time prevented us from measuring larger trends, like culture change, we nonetheless managed to understand (in a broader sense) the educational activities that were achieving the group’s learning goals and which ones were not. That way, we could increase the likelihood of successful outcomes when we launched a more rigorously studied pilot. The program that came out of this experimentation is called Mothership Certified. 

Mothership Certified

Drawing from research in psychology, human-centered design, and human behavior, the Mothership Certified training and certification program provides knowledge and tools for health service providers to build connections and better promote empowerment when working with millennial parents. 

Developed by two experience designers, Jeff Sprague and Joey Zeledón, as well as myself, with input from other experts, the eight-hour workshop is a cross-section of several topics related to empathy, connection, and empowerment. It meets the needs of parents seeking to be seen and heard – not judged – as well as health service providers looking for easy-to-implement reforms. It all takes one day and costs roughly the same as a one-day registration for a health conference, making it accessible to existing professional development budgets and timeframes. 

Furthermore, we focus on knowledge and tools relevant to a range of health professionals and paraprofessionals at a variety of skill levels. The workshop is also designed to enhance larger health system initiatives.

For us, it is important to encourage continued learning and growth, even after participants finish the program. This is where the certification comes into play. After training, participants sign a pledge to reflect on and implement what they’ve learned into their own practice. They are encouraged to put this pledge somewhere they will see every day.

Early Impact 

After almost a year of curriculum development, testing, and refinement, Mothership Certified has officially launched. To date, 11 people have completed training and are Mothership Certified: one lactation consultant, three nurses, one licensed social worker, and six doulas. 

In the most recent iteration of the eight-hour training workshop, we had six participants. All were women and were doulas, and there was one nurse-doula. We held a debrief session immediately after the training and follow-up interviews with each participant one week later. The group said that they found the content valuable and the format engaging. They also said they would recommend the training to others, especially for groups who work together. When asked about the most valuable parts of the training and what they had begun to implement in their practice, they collectively covered the main content in all sessions in their answers. The one nurse in the group, who also had much previous exposure to these topics, even noted, “I’ve learned a lot of the things that were taught in the training [before], but it was still beneficial to reinforce the things I already knew and to re-evaluate where I am on my own personal journey.” 

Another participant felt that “even if you are an empath, you are going to learn something. I think it’s great for a practice’s staff to take together. I really think everyone should take it.”

A majority of participants reported that the greatest impact so far is that they are more self-aware of their biases, body language, and stress. A majority also noted that they have been or plan to be more intentional about their actions and reactions with clients. One participant shared, “it’s helped me be more intentional about listening, and I’m also more aware of my biases. It was encouraging to hear that we all have biases, and I’m thinking about it in my practice.” 

Another notes that “I definitely think others should take the training because it can help us become more intentional with our client relationships. A lot of health service providers need that in my experience. It’s really easy when you are in a position of authority, the expert, to just tell people what to do, but our clients have brains and can make decisions for themselves.” 

One last unintended impact of the training is that a majority of participants reported that they have also used different tools from the training outside work. One participant noted how it helped her in a job interview. Another said it helped her with interactions with her family and it impacted her second job. We also had someone who recommended that her husband take the training with his employees: “I told so many people about it. I told my husband he should do it with his restaurant staff. I thought it was full of rich content.”

Future Plans

Mothership Certified is approved for continuing education credits for lactation consultants and nurses in some locations, and we plan to apply for continuing education credits for different professionals as the program grows. We are also developing a virtual version of the training, so more people can access it as well as an online community with continued learning opportunities. We plan to study outcomes related to changes in attitudes, behaviors, patient satisfaction, and system culture. We hope to eventually integrate the certification into existing review sites and databases of healthcare providers. It is our vision that our logo becomes a symbol of empathy and empowerment for all parents.

Learn more about Mothership at ourmothership.org

From Design Museum Magazine Issue 009

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